Giorgi Popiashvili


I think in visuals, my memory is visual, every emotion, feeling, or even neutral bit of information is translated into imagery in my head. Visual perception is clearly my primary way of orienting myself in this vast and incredible universe.

This process works both ways—visual language is also how I communicate back with the world. Disciplines and professions are secondary to me; I am equally fascinated by any expression that exercises the mastery and the elegance of the visual language.

Graphic Designer


A major influence on my career was my father, an architect who worked as a graphic designer. Watching him work introduced me to visual language and graphic software early on.

 Old Boys Branding
 Label designs
 Occupied passport cover

Art Director


Beyond visual aesthetics, 
I have always been drawn to simple, smart ideas. Advertising was the ideal space for this, as it revolves around original ideas expressed through visual language.

 Mercedes / Smart ParKing
 Greenpeace

Film Director


After collaborating with dozens of film directors, I decided to step into directing myself. After directing over 20 commercials, in 2024, I wrote and directed my first short film. Being on film production set is one of my greatest creative joy!

 Claptocracy short film
 Alan Watts 
 Museum without frames
 Ikano + Nirvana
 Director’s Reel

Artist


During two decades in advertising and commercial art, I always felt a pull toward fine art and crafts. Currently, I am pursuing a master’s program in painting at The New York Academy of Art

 Paintings
 Drawings
 Milk Mug
 Giordanno Bruno Candel
 Film Photography






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Claptocracy - short film


At the start of production, I told the crew there was no project more important than this one—and I truly meant it. The idea had been with me for three years before I could finally bring it to life. My friend, George Bokhua, once shared an episode from The Gulag Archipelago, where people were forced to clap for an exhausting 11 minutes until one factory director took the risk of stopping—only to be arrested and sent to a Siberian prison that same night.

As someone who had always dreamed of making a short film, I immediately envisioned an 11-minute real-time piece capturing the fear of an audience afraid to stop clapping. 
Beyond the creative challenge, the film’s message is deeply personal.

Born and raised in Georgia, a nation long resisting Russian dominance, Claptocracy is not an abstract concept to me. I have witnessed wars, invasions, and the tightening grip of authoritarianism. The urgency of this struggle became even more real when our close friend and team member, Giorgi Okmelashvili, was arrested and sentenced to five years in prison for protesting the so-called “Russian Law,” a bill imposed under Kremlin influence in 2024.

We dedicate this film to Giorgi Okmelashvili.

Production: Enkeny Films
DOP: Omar Gelashvili GCA
1st AD: Tamar Shubitidze
Poster Photo: Ninutsa Jakeli
Trailer